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Still Counting (16 hole Chromatic) Harmonica Tab

Harp Type: Unknown
Released:
Key: G
Harp Type: Chromatic



Still Counting (16 hole Chromatic) Harmonica Tab


Still Counting (16 hole Chromatic)
By Jon Larsen, Thomas Bredahl, Anders Kjolholm &
Michael Poulsen
Performed by Volbeat
Key of G Major
Vocal Range: D4 to B5 Instrument Range: E3 to B5
Adapted for a 16 hole Key of C Solo tuned chromatic

Tab notations:
none = blow – = draw * = button in ___ = hold
. = lower register (first four holes on a 16 hole Chromatic or 12 hole Tenor C Chromatic.)
-56 = -5 is a grace note, 6 is the main note
-(8×4) = tongue blocked draw octave
(76×3) = tongue blocked blow chord or interval
–(6X2)* – tongue blocked draw octave with button in
2*_2 = slide or slur; move smoothly from note to note

Intro:
Moderately slow

-(8×4) -(8×4) -(8×4) -(8×4) -(8×4) -(8×4) -(8×4) -(8×4)

-(8×4) -(8×4) -(8×4) -(8×4) (76×3) (76×3) –(6X2)* -(6X2)*

7 6 6 6 -56 6 6 6 -56_
Count-ing all the a*s-holes in the room.

-4 6 6 6 6 6 -56 6 6_-5__
Well, I’m def-in-ite-ly not a –lone,_

2 -4 -4 -4 -44_-4-4*_-4-4*__-4_
well, I’m not a – lone.____________

-2*-4 -4 7 6 6 6 -56 6 6 6 -56_
You’re a li-ar, you’re a cheat-er, you’re a fool.

-4 6 -56 -56 6 -56 -56_-5
Well, that’s just like me, oo, hoo,

-1_-4 -4 -4 -4 -34__-4-4*__-4-4*___-4
and__ I know you, too._______________

-4 -4 7 6 6 6 -78 -7 -7 7 7_6
Mis-ter Per-fect don’t ex–ist, my lit-tle friend,

-7-8 -8 -7-8 -7 7 7 7 7_6_-5__
and I’d tell you it all a-gain,___

3-4 -4 -4 -4 -4 -34_-4-4*__-4
and I’d do it a-gain._______

7 6 6 6 -56 6 6 6 -56_
Count-ing all the a*s-holes in the room.

-4 6 6 6 6 6 -56 6 6_-5__
Well, I’m def-in-ite-ly not a-lone,_

-1 -4 -4 -4 -34_-4-4*_-4-4*__-4__
well, I’m not a – lone,_____________ zsha!

Interlude
.2.2.2.2 .2 .2 .2 .2 .2 .2 .2.2.2.2 .2 .2 .2 .2 .2 .2

.2.2.2.2 .2 .2 .2 .2 .2 .2 (.3×3) (.3×3) -(.2×2)

Double-time feel
.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .2.2.2.2 .2 -.4 .2 .2 -.4 .2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .3* .2 .2 .2 .2*_.2 .2 .2

.2*_.2 .2*_.2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .2.2.2.2 .2 -.4 .2 .2 -.4 .2

.2.2.2.2 .2 -.4 .2 .2 -.4 .2 .3* .2 .2 .2 .2*_.2 .2 .2

.2*_.2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2

.2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 -.4 .2 .2 .2*_.2
End double-time feel

.2 .2 (2X6)_____ 2 -3_-4__ -3_-4_-3_-1 (3x.3)___ (3x.3)

.3 .3 .2 (1×3)__ (1×3)_-2* -2*__

-3 7 6 6 6 -56 6 6 6 6_
Look deep in-to your-self be-fore you blame

-56 6 6 6 6 -56_ -5__
all oth-ers for be-tray-al,_

-4 -4 -4 -34_ -4-4*_-4-4*__-4
now, for be-tray-al.__________

-3 7 6 6 -7-8_ -7 7 7_6
A prom-ise so eas – y to say,

6 -7-8 -7 7 67_6_-5_
and eas – y, you failed,

-4 -4 -4 -4 -4 -44_-4-4*_-4-4*__-4
and you do it a – gain.____________

-7 -7 7-7 7 7 7 -6*_ 7_6_
Well, the mus-ic seems to cov – er__

6 6 7-7 7 7 7 -6* -6*7___-6*_6_-4_
all the li–quid do the col – ors.__________

7-7_ -7 7-7 7 7 7 -6*_
Well, I turn my back and go__

-6*6_ 6 6 7-7 6 6 6 6-6*_ -6*7___-6*_6__
for all the bet-ter things in or__ – der._______

Bridge
(2X6)_____ 2 -3_-4__ -3_-4_-3_-1 (3x.3)___ (3x.3)

.3 .3 .2 (1×3)__ (1×3)_-2* -2*__

-3 7 6 6 6_ 6 6 6 6_
Well, may-be you think your lie is safe,

-5 6 6 6 6 6 -56_ -5__
but I read you like a let–ter.

-4 -4 -4 -34_-4-4*_-4-4*-4
You’re like a let________-ter.

-3 7 6 6 -7-8_ -7 7 7_6
Your charms do not e – vince the pain,

6 -7-8_ -7 7 67_6_-5__
it fills me with rage____

-4 -4 -4 -4 -4-4-4*_-4-4*_-4-4*__-4
and you do it a- gain._____________

-7 -7 7-7 7 7 7 -6* 7_6_
Well, the mus-ic seems to cov – er_

6 6 7-7 7 7 7 -6* -6*7___-6*_6_-4_
all the li–quid do the col – ors.__________

7-7_ -7 7-7 7 7 7 -6*_
Well, I turn my back and go__

-6*6_ 6 6 7-7 6 6 6 6-6*_ 7___-6*_6__
for all the bet-ter things in or – der._______

Interlude
.2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2

.2 .2 .2 .2 .2 -2_3 3 3 3 3 3_-3 -3 -3 -3 -3 -3_-4 -4 -4

-4 -4 -4_4 4 4 4 4_-1

-7 -7 7-7 7 7 7 -6*_ 7_6_
Well, the mus-ic seems to cov – er_

6 6 7-7 7 7 7 -6*_ -6*7___-6*_6_-4_
all the li–quid do the col_ – ors._________

7-7 -7 7-7 7 7 7 -6*_ 76_
Well, I_ turn my back and go__ for__

6 6 7-7 7 7 7 -6*_ -6*7___-6*_6__
all the bet-ter things in or__ – der._______

7-7_ -7 7-7 7 7 7 -6*_ 76_
And a gang-ster keep on tell-ing

6 6 7-7 7 7 7 -6*_ -6*7___-6*_6__
that he got a song that mat_ – ters.______

7-7_ -7 7-7 7 7 7 -6*_ 76_
So_ I flip a coin to-wards him,

-56 6 -56 -56 -56 -56 -56_ 6-5__
thank you ver – y much for list– nin’.

Outro
.2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2 .2

.2 .2 .2 .2 .2 -2_3 3 3 3 3 3_-3 -3 -3 -3 -3 -3_-4 -4 -4

-4 -4 -4_4 4 4 -4 -3 -4_ -6*__ -4_ -4__ -6*__ -4_ 5__ 7__

5 7-7 7__ -6*_ -4__ -6*__ -4_ -4__ -6*__ -4_ -4 4 -4 4__

-3 -4 4__ -4__ -3_ -3-4__________


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Still Counting (16 hole Chromatic) Harmonica Tab





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