Theme from Coptic Golgota Harmonica Tab
Theme from Coptic Golgota Harmonica Tab
T: Theme from Golgota
K: Tetrachord
C: Traditional Coptic Tune, transcription based on Fr Abraam Guirguis
Q: 80
M: 2/4
| 4 4 | -4 -5 | 5 `-4 `4 | -4_ |
| -4 `4 `-4 | 5 5 | `-4 `5 `-5 “5 “-4 | 4. `-2 |
| 4 4 | -4 -5 | 5 `-4 `4 | -4_ |
| -4 `4 `-4 | 5 5 | `-4 `5 `-5 “5 “-4 | 4 4|
| 6 -5 | 5 `4 `5 | `-5 `6 `5 `6 | -5. `4 |
| 6 -5 | 5 `4 `5 | `-5 `6 `5 `6 | -5. `-5 `-5 |
| 4 4 | -4 -5 | 5 `-4 `4 | -4_ |
| -4 `4 `-4 | 5 5 | `-4 `5 `-5 “5 “-4 | 4_ |]
10 Hole Harmonica Tablature System
01. Holes 1-10, 1-12, 1-14, 0 is for pause [0=pause: credits to Numbered Notation: Jianpu]
02. Blow: no sign, Draw: – (minus/hyphen sign)
03. Time signature is written as (Q: 4/4, 3/4 etc.) [Credits to ABC Notation]
04. Bars: Barline |, Repeat bar :|, double bar ||, End bar |] [Credits to ABC notation]
05. Time Semibreve (1 _ _ _) (just a note/bar), Minim 2 (e.g. 2 _ or -2 _ ), 4 (just the note) for 8 (`)
eg `-4, 16 (“) eg “-4, 32 (“`) 64 (“`),
triplet ={III}= -(4 5 6) dotted 6., double dotted 6.. [credits to PMW]
6. Blowbend 4′ or drawbend : -4′, double bend -4″, glissando ~ eg ~-4
7. Staccato: dot before number : .4, legato bracket between legato ( ) notes (4 -4)
8. Sharps : #, Flats b, double flat bb, double sharp x, natural [],
9. Crescendo <, Dimineundo >
10. Marcato ^
11. Breath : comma,
12. Chords are written with no space e.g. 456, or -4-5-6, spread chords preceded by {
13. Corona (.
14. Expressions: f: forte, mf: mezzoforte, p: piano,pp, ff etc.
15. Tempo : e.g. T = 120, or moderato etc.
16. Pauses: 0, 0., 0′, 0“, 0“`,. 0“`, 0;,
17. flutter r eg r4
18. wawa w eg w-4
19. / Scooped note / hit bent & release [Credits to Indiara Sfair]
20. Hit not then bend [Credits to Indiara Sfair]
21. T: Title [Credits to ABC Notation]
22. C: Composer [Credits to ABC Notation]
23. M: Meter [Credits to ABC Notation]
24. Q; Tempo [Credits to ABC Notation]
25. K: Key [Credits to ABC Notation]
Theme from Coptic Golgota Lyrics
Download Theme from Coptic Golgota Sheet
Added by
No comments yet